Ismini Kyritsis is a curator and art historian working at the intersection of art, science, and ecology. With a specific interest in the ecological and societal impact of digital technologies, her curatorial practice takes an ecosystemic turn shaping connections between different entities, disciplines and practices. Through exhibitions, research, and residencies, she fosters dialogue between human, natural, and technological entities while developing curatorial methodologies that respond to ecological and ethical uncertainties.

Ismini holds a Masters degree in Arts and Culture (Museums and Collectiosn) from Leiden University (2023) and a postgraduate degree in Curatorial Studies form the Royal Academy of Fine Arts in Ghent (2024). In recent years she has co-curated exhibitions and public programs in Kusthal Ghent (BE), Het Paviljoen (BE), Vleeshal (NL), iMAL (BE) and TINC (KR). She is currently part of Off-Centre, a collective of art workers bringing visibility to local art initiatives within the neighborhoods of Brussels through public tours and workshops. With a focus on artist-run spaces, its members aspire to foster community engagement, encourage mutual support, and create opportunities to learn from local collectives who demonstrate resilience in face of cultural and economic challenges.



Contact: isminikyritsis@gmail.com

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Grains of Sand like Mountains

Kunsthal Gent (BE)

May 31st - June 30th, 2024 

Link: https://kunsthal.gent/en/exhibitions/grains-of-sand-like-mountains
Artists: Noor Abed, Dis­ar­ming Design, Ali­ce Diop, Nina Jaya­su­riya, Sep­pe-Hazel Lae­re­mans, Seul­gi Lee, Renée Lorie, Miche­li­ne Nah­ra, Ben de Raes, Hus­sein Shik­ha, Stef Van Looveren


Grains of Sand Like Mountains investigates the intricate dynamics of collective consciousness reflected in everyday rituals, and raises questions about the individual's position and movement within assemblies of beings.

The exhibition is appro­a­ched as an archi­pe­la­go, allo­wing the encoun­ter of col­lec­ti­ve prac­ti­ces within inter­sec­ting cul­tu­res.

through a con­stel­la­ti­on of works inclu­ding video, sculp­tu­re, pho­to­grap­hy, and per­for­man­ce, explo­ring how we can live together, the exhibition aims to encourage reflection on how the shifting rhythms between the “I” and the “us” shape our perceptions and interactions in today’s world within diver­se socie­tal con­texts.


Grains of Sand like Mountains,  Kunsthal Gent, 2024, Renée Lorie, Shelter
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Hus­sein Shik­ha, GARDEN_OF_EDEN.ISO  and Nina Jaya­su­riya, magē gear magē pan­sa­la
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Hus­sein Shik­ha, GARDEN_OF_EDEN.ISO
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Sep­pe-Hazel Lae­re­mans, To settle, to unsettle
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Sep­pe-Hazel Lae­re­mans, To settle, to unsettle
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Noor Abed, Out of Joint
Grains of Sand like Mountains,  Kunsthal Gent, 2024, Stef Van Looveren, Radical Hope



Accom­pa­nied by an exten­si­ve public pro­gram­me, this exhi­bi­ti­on also con­si­ders the audien­ce as par­t­a­king in a reflec­ti­ve com­mu­nal expe­rien­ce. The pro­gram­me will fea­tu­re a work­shop by Dis­ar­ming Design for Pales­ti­ne, a film scree­ning of Nous (2020) by Ali­ce Diop and a col­lec­ti­ve workshop by Raffia Li.